May McAvoy
7 Films
May McAvoy
7 Included Films

From Wikipedia, the free encyclopedia May McAvoy (September 8, 1899 – April 26, 1984) was an American actress who worked mainly during the silent film era. Some of her major roles are Laura Pennington in The Enchanted Cottage, Esther in Ben-Hur: A Tale of the Christ, and Mary Dale in The Jazz Singer. McAvoy appeared in her first film, entitled Hate, in 1917. After appearing in more than three dozen films, she co-starred with Ramón Novarro and Francis X. Bushman in director Fred Niblo's 1925 production of Ben-Hur, released by MGM. The feature-length film was one of the most lavish and spectacular productions of the silent movie era. Although her voice was not heard in The Jazz Singer, McAvoy did speak in several other films, including the second "all-talkie" released by Warner Brothers, The Terror, which was directed by Roy Del Ruth and co-starred Conrad Nagel. For years a rumor circulated that McAvoy retired from the screen at the transition to sound films because of a lisp or speech impediment. In truth, she married the treasurer of United Artists, who asked her not to work. Later, she returned to films and played small roles during the 1940s and 1950s, making her final film appearance in a small part in the 1959 version of Ben-Hur.

MoMa 2022 resto no release

MoMa 2022 resto no release

Director: Alan Crosland

Director: Alan Crosland

Director: Jack Conway

Director: Jack Conway

Director: John Sturges

Director: John Sturges

Warner Archive, 2k + 4k scans

Warner Archive, 2k + 4k scans

Director: Robert Wise

Director: Robert Wise

Director: William Wyler
UHD 5.0 is the original mix, but more muffled than LaserDisc and even the previous Blu-ray's gentle remix. Atmos is revisionist.
1991 LD is Dolby Stereo matrix encoded from the original six track master and this was later upgraded to a 5.1 Dolby Digital version prepared for the first DVD. The 5.1 version may have had some slight tweaking in the process. This was reused for the DVD CE boxset and then the 5.1 on Blu-ray seems like a slight upgrade of the DVD track. (The first pressing from the UCE boxset had audio defects rampant on the BD. These were corrected for standalone pressings.) All 5.1s sound roughly the same as the LD 2.0 in terms of the mix-but the LD PCM mastering seems like the only one that is direct without any major processing. Sadly it only exists in matrix stereo and not in discrete.
The 50th Anniversary box set has some exclusive extras

Director: William Wyler
UHD 5.0 is the original mix, but more muffled than LaserDisc and even the previous Blu-ray's gentle remix. Atmos is revisionist.
1991 LD is Dolby Stereo matrix encoded from the original six track master and this was later upgraded to a 5.1 Dolby Digital version prepared for the first DVD. The 5.1 version may have had some slight tweaking in the process. This was reused for the DVD CE boxset and then the 5.1 on Blu-ray seems like a slight upgrade of the DVD track. (The first pressing from the UCE boxset had audio defects rampant on the BD. These were corrected for standalone pressings.) All 5.1s sound roughly the same as the LD 2.0 in terms of the mix-but the LD PCM mastering seems like the only one that is direct without any major processing. Sadly it only exists in matrix stereo and not in discrete.
The 50th Anniversary box set has some exclusive extras
7 films